Engraving is a non-chemical intaglio process, in which the image is incised by hand, making it a labor-intensive and time-consuming technique that produces prints pulled directly from the press, typically in black, indigo, or sepia inks. The traditional Intaglio printing process begins by drawing an image onto a selected plate made of materials such as copper, zinc, plastic, or, as in this case, wood. Engraving tools or specialized machinery are used to incise the design, with careful attention to the depth and thickness of lines, as these affect the final print. Ink preparation is crucial; it must be thin enough to fill incised areas but not too thin to slip off. The chosen paper, typically 100% cotton and acid-free, is dampened to ensure ink absorption and placed between newsprint sheets to absorb excess moisture. The printing press's top drum height is adjusted to accommodate the thickness of the plate, paper, and felt press blankets, ensuring proper pressure. Applying ink to the plate requires precision, fully covering all incised areas and wiping away excess from non-printing regions. After inking, the plate is placed on a registration sheet on the press bed, with the paper carefully positioned over it. The stack is covered with felt blankets in a specific order. Hand-operating the press demands a steady rhythm to avoid ruining the print. Once the stack passes through the press, the felt blankets are removed, and the paper is carefully lifted from the plate, revealing the print. The meticulous preparation and execution make this process exquisite, transforming each print into a work of art. The detailed incising, precise inking, and careful pressing result in prints celebrated for their depth, texture, and artistic quality. Each piece is unique, showcasing the skill and artistry of the printmaker. To delve deeper into the art of printmaking, visit the Royal Society of Painter-Printmakers at www.re-printmakers.com.